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The Show Folies Bergère, London
photo by William Davis, 1926
“The individual is the inhibition of infinity.”
— Mina Loy
pwn3d.
Who made this? It’s not bad.
But you forgot: “KUSAMA OWNS DOTS”
Reminds me of the comment that always comes up in art critiques:
“You know, you should look at ( name ), even though their art has nothing to do with yours or with the discussion, because they used ( material ), and you’re using that also.”
And I’m not saying that’s necessarily bad. It just IS.
(via latenightlaundromat)
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Arthur Rackham, second end-paper from Undine, by De La Motte Fouqué, London, 1909.
(Source: archive.org)
(via 50watts)